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5.16.2008

THE HAVELS @ Goode Crowley

Sunday 18 May 2008
Doors 7.00pm / Show 7.30pm
Goode Crowley Theater

Tickets $10 at the door
Irena Havlová and Vojtěch Havel, the duo who are The Havels, have been collaborating for more than fifteen years, making music that has been described as “a duet between violoncello and piano taking place in a cathedral of sound.” In truth their music encompasses even more, with the artists often incorporating Tibetan bowls, bells, harmoniums, gongs, silver cups and stones to create a distinct and experimental sound. In Marfa, The Havels will perform in part on the extraordinary Renaissance instrument, the viola da gamba.


Havlová and Havel started working together in the mid-80s, in the experimental Capella Antiqua e Moderna ensemble, which won them both public and critical acclaim. The repertoire of that unique association of musicians of their generation – well versed in music history – spanned various styles of European classical music, ranging from the Renaissance to contemporary music. Within this context, Havlová and Havel developed a very unorthodox approach to both historical and modern compositional techniques and interpretive procedures.Since then, The Havels have collaborated intensively with many other leading Czech and foreign artists with noted partners including Jiří Stivín, Czech jazz multi-instrumentalist of world renown; avant-garde drummer Alan Vitouš; and impulsive guitarist Tony Ackerman as well as dancers Karel Vaněk and Eva Černá, painter Radek Pilař, and others. They have traveled extensively, making return trips to the desert villages of Rajasthan, India where they recorded hours of folk and spiritual music that was released on four CDs (Agni, Maha Rudra Yagya, Sri Mahaprahuji Bhajans, Sri Madhavananda Bhajans), a distinct selection within their impressive eighteen-album discography.
The Havels are sometimes classified as belonging to a specific musical current, however, labeling their music as alternative, global, new acoustic, improvised, experimental, minimalist or meditative music, means classifying it in categories that very often actually tell nothing about its form and content. The means they use for their expression are so varied and permanently changing that any attempt to verbally describe their musical dialogue falls short. The only thing that can be said with certainty is that the music is always highly poetic, enchanting, and delivered with absolute sincerity and unusual humbleness with the idea of carrying a genuinely peacemaking message.
The Havels are making only a few rare performances on this tour of the United States, and Ballroom Marfa is honored to host the duo at the Goode Crowley Theater on Sunday 18 May, 7.30pm. Ballroom welcomes everyone to join us for this special evening with two very unique performers. Tickets are $10 each at the door, with all proceeds benefiting the musicians directly.

The 2008 music program has been made possible by the generous support of Ballroom Marfa's Front Row Members.

1 Comments:

Blogger Red Ant said...

Czeck celloists Irena Havlova and Vojtech Havel (The Havels) brought their story to Marfa last month, in a two part musical performance at the Goode-Crowley Theater that was part jazz, part sci-fi sound track woven together in the belly of a whale and laced with Indian gin-fizzes and the ghost of Ravi Shankar grinning in the background.

These were musicians at the top of their game. They’ve been playing together since 1985. They write their own stuff and its wholly other – unique, perfect maybe, because it has no comp. Cellos, Tibetan Bowls, piano, an occasional voice and candles – but mainly cellos, alto and tenor balanced in an unreal way – going places, in and out of sync, as needed.

The first act seemed to be their story: original attraction, fatal, screechy, mid- game unison, lover lows, grinding melodies, highs, abrupt stops, a chime, train-thunder and a bench-sharing, four-handed piano finale.

Their influence: notes we cannot hear? Or pre-perestroika poets of east Europe; them who was in and out of the Soviet orb – mad dictators, a country polluted politically, industrially, Transylvanian gypsy fiddlers like Csiszar, playwrights like Vaclav Havel. The Havels got freed-up in Prague somewhere along the line, perhaps only behind locked doors to experiment in the unclassified. But the breaking of the Berlin Wall and three journeys to India, set these poet/musicians on their way to international acclaim and to feather their cellos on high octane. Check out their “Little Blue Nothing” on YouTube.

I almost ran over Vojtech trying to park for a pre-performance party at the newest restaurant in town “____ “. Much like his music, he gave me a look that I couldn’t interpret. Was it Marfan drip oozing out of his expression or did he just not understand that pick-up trucks in Texas get the street and the sidewalks too under emergency U-turn conditions?

At the party I gave him a three minute apology and he gave me one of those looks again. After realizing at the theater that he was half the act, it all seemed to work out – interpretation is a funny thing. I still don’t know if he speaks English.

The second act included more chanted words from a language where I only understand the name of a ski resort; Banska Bystreka. A lot of Banska Bystreka and again tremendous powerfully conducted sounds wrapping together for our personal deconstruction.

You don’t get this everywhere. Ballroom Marfa has done it again.

4/6/08 2:29 PM  

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