THE HAVELS @ Goode Crowley

Sunday 18 May 2008

Doors 7.00pm / Show 7.30pm

Goode Crowley Theater

Tickets $10 at the door

Irena Havlová and Vojtěch Havel, the duo who are The Havels, have been collaborating for more than fifteen years, making music that has been described as “a duet between violoncello and piano taking place in a cathedral of sound.” In truth their music encompasses even more, with the artists often incorporating Tibetan bowls, bells, harmoniums, gongs, silver cups and stones to create a distinct and experimental sound. In Marfa, The Havels will perform in part on the extraordinary Renaissance instrument, the viola da gamba.

Havlová and Havel started working together in the mid-80s, in the experimental Capella Antiqua e Moderna ensemble, which won them both public and critical acclaim. The repertoire of that unique association of musicians of their generation – well versed in music history – spanned various styles of European classical music, ranging from the Renaissance to contemporary music. Within this context, Havlová and Havel developed a very unorthodox approach to both historical and modern compositional techniques and interpretive procedures.Since then, The Havels have collaborated intensively with many other leading Czech and foreign artists with noted partners including Jiří Stivín, Czech jazz multi-instrumentalist of world renown; avant-garde drummer Alan Vitouš; and impulsive guitarist Tony Ackerman as well as dancers Karel Vaněk and Eva Černá, painter Radek Pilař, and others. They have traveled extensively, making return trips to the desert villages of Rajasthan, India where they recorded hours of folk and spiritual music that was released on four CDs (Agni, Maha Rudra Yagya, Sri Mahaprahuji Bhajans, Sri Madhavananda Bhajans), a distinct selection within their impressive eighteen-album discography.

The Havels are sometimes classified as belonging to a specific musical current, however, labeling their music as alternative, global, new acoustic, improvised, experimental, minimalist or meditative music, means classifying it in categories that very often actually tell nothing about its form and content. The means they use for their expression are so varied and permanently changing that any attempt to verbally describe their musical dialogue falls short. The only thing that can be said with certainty is that the music is always highly poetic, enchanting, and delivered with absolute sincerity and unusual humbleness with the idea of carrying a genuinely peacemaking message.

The Havels are making only a few rare performances on this tour of the United States, and Ballroom Marfa is honored to host the duo at the Goode Crowley Theater on Sunday 18 May, 7.30pm. Ballroom welcomes everyone to join us for this special evening with two very unique performers. Tickets are $10 each at the door, with all proceeds benefiting the musicians directly.

The 2008 music program has been made possible by the generous support of Ballroom Marfa's Front Row Members.

5th Chinati Symposium This Weekend

The Writings of Donald Judd
A symposium to be hosted by the Chinati Foundation on May 3 and 4, 2008.

The Chinati Foundation is pleased to announce a symposium dedicated to the writings of the late artist and the museum’s founder Donald Judd. Eleven participants will present lectures on a range of topics, including the relationship of Judd’s writing and his art; his use of language; how Judd produced and edited his writings; his views on politics and architecture; his philosophical influences; and the relevance of his writings today. The weekend program will be moderated by Prof. Richard Shiff of the University of Texas, Austin and will feature the following lectures:

Allan Antliff, Ph.D., Canada Research Chair in Art History, University of Victoria, Canada: Donald Judd’s “First Element”: An Anarchist Genealogy

Mel Bochner, Artist and Critic, New York: Judd: His Writing and Influence

Richard Ford, Ph.D., Professor Emeritus and former Chairman, Department of Languages and Linguistics, The University of Texas at El Paso: Donald Judd - Wordsmith

Thomas Kellein, Ph.D., Director, Kunsthalle Bielefeld, Germany: Basic Assumptions

David Rabinowitch, Artist, New York and Wiesbaden, Germany: Statements Relevant to Don Judd’s Notion of “Object”

David Raskin, Ph.D., Associate Professor, Department of Art History,
Theory and Criticism, School of the Art Institute of Chicago: “Judd’s Scale”

Richard Shiff (Director of the Center for the Study of Modernism at the University of Texas, Austin): Specificity

Roberta Smith, Art Critic, The New York Times: Specific Objects: the Essay, the Art, the Misunderstanding

Karen Stein, Architectural Critic, New York: “The Plain Beauty of Well-Made Things”
Ann Temkin, Ph.D., Curator, Museum of Modern of Art, New York: Barnett Newman and Donald Judd: Artist as Polemicist

Nicola von Velsen, Editor, DuMont Literatur und Kunst Verlag, Cologne: Bilderstreit: Iconoclastic Controversy and Language Battles

Limited seats are still available for the weekend program; reservations can be made by calling Chinati at (432) 729-4362. Portions of the symposium will be broadcast live by Marfa Public Radio (KRTS) at 93. 5 FM and over the internet at www.marfapublicradio.org

The Writings of Donald Judd is the fifth symposium organized by the Chinati Foundation, following Art and the Landscape (1995), Art and Architecture (1998), Light in Architecture and Art: The Work of Dan Flavin (2001), and It’s All in the Fit: The Work of John Chamberlain (2006). It will be documented in a paperback volume to be published by the museum later in the year.